Greek Tragedy and the Modern World

Taylor & Francis Ltd · Books & Media

Greek Tragedy and the Modern World

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About this product

First published in 1964, Greek Tragedy and the Modern World begins with the question what is Tragedy? Most discussion assumes some essence of Tragedy in certain plays at certain periods, and discussion today centres on whether it is possible, or desirable, for contemporary plays to attend to this essence. There is considerable agreement about what this essence of Tragedy is. But when we examine closely the works of Aeschylus, Sophocles and Euripides we find that none of the important aspects of this essence of Tragedy applied to them. Greek tragedies are not Tragedy. Yet if we read or perform them, we do discover a special attitude to life which they present. By examining each of the works of the three Greek masters in turn the author has tried to define what this attitude to life consists of. He then turns his attention to dramatists who have attempted with varying degrees of success, to present aspects of this attitude in contemporary terms: Buchner, Ibsen, Strindberg, Miller, Cocteau, Gide, Giraudoux, Anouilh, Sartre, Ghéon and Eliot. He pays particular attention to such key concepts as ‘myth’ and discusses the various forms of poetic language used by these writers. The author a

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