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Dangerous Women, Deadly Words is a materialist-feminist, psychoanalytic analysis of a modern Japanese literary trope—the dangerous woman—in the works of three twentieth-century writers: Izumi Kyoka (1873-1939), Enchi Fumiko (1905-86), and Nakagami Kenji (1946-92). Linked to archaisms and magical realms, the trope of the dangerous, spiritually empowered woman culls from and commingles archetypes from throughout the Japanese canon, including mountain witches, female shamans, and snake-women. In radical opposition to the conventional interpretation of the trope as a repository for transhistorical notions of "female essence" and "Japaneseness," the author reads the dangerous woman as connected in complex ways with twentieth-century Japanese epistemological upheavals: the negotiation of modern phallic subjectivity, modernization of a homosocial economy, the radically changed status of women, reified maternity, compulsory heterosexuality, and the function of literature. The dangerous woman enabled the literary birth of a modern, phallic, national subject as its constitutive Other, the locus of "originary" desire, thus the domain of the Lacanian Real and, accordingly, the abject. Determin

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